Apr. 5th, 2013

We've put together a leafy, green lineup for Tuesday Funk fit to feed a small village. The roster will feature Suzanne Clores, Mary Beth Hoerner, Robert McDonald, Dion Walton, and former co-host Sara Ross Witt. Throw in one of our patented Poems by Bill and some Haiku by Andrew, not to mention your pick of cold beers from around the world, and you've got all the ingredients for the most pleasant of spring evenings.

The festivities get underway with your hosts William Shunn and Andrew Huff on Tuesday, May 7th, 2013, 7:30 pm, in the upstairs lounge at Hopleaf, 5148 N. Clark St., Chicago. Arrive early for a table and grab a beer from Mark at the bar (where credit cards are now accepted!). We start seating at 7:00 pm and no earlier. Admission is always free, but you must be 21 or older. And come early or stay late after for some great Belgian-style food downstairs.

Please bring plenty of friends, and become a fan of Tuesday Funk on Facebook so you never miss an invitation to one of our readings. See you there!

Tuesday Funk #57, May 7, 2013


Crossposted from Tuesday Funk
Amid the staggering news of other losses this week, I want to remember to say a few words about Iain Banks, one my literary idols. (Two of my literary idols, really, if you care to think of his Iain M. Banks byline separately.)

I, like many of you, I'm sure, was stunned to tears on Wednesday morning by the news that Mr. Banks is suffering from late-stage cancer and probably doesn't have long to live. He broke the news in typically straightforward and mordant fashion, but that didn't make it any easier to take.

Iain Banks Iain Banks is an important writer. I can't think of another writer who so consciously, so prolifically, and so successfully divided his output between serious mainstream fiction and rigorous hard science fiction. He proved, at least in the U.K., that one need not confine oneself to a single genre or style of fiction in order to maintain a brilliant career. It would have been impossible to guess from his twisted 1984 debut, The Wasp Factory, that just three years later he would affix a giant M to his chest like some superhero of letters, fly into space, and bring Consider Phlebas back to Earth, introducing us to what may at the time have been the most mind-expanding and humane future society ever invented, The Culture.

And Iain Banks is an important writer to me. His books can be found all over our house—on the science fiction shelves, on the mainstream shelves, almost always in the to-be-read pile on my nightstand, and even, in the case of his whisky travelogue Raw Spirit, on the alcohol shelf. He's a model of professional productivity, putting out a book nearly every year, and he's as fearless in his contemporary novels as he is visionary in his science fiction. (In 2002's Dead Air, he was already riffing on the meaning of 9/11 before other writers dared even think about it.) And his work is a constant inspiration to those of us who find ourselves attracted writing in more than one world.

I had always hoped to meet him, and never moreso than when I was bumming around Edinburgh drinking whisky with some of his friends. The news that I probably never will, and that the forthcoming The Quarry will likely be his last novel, is heartbreaking. I hope it's not true, but even if it is, Mr. Banks, you've already accomplished more than most of us ever will, and in doing so have always made the implausible look more than possible. Thank you.


Crossposted from Inhuman Swill
In recognition of tomorrow's LDS General Conference in Salt Lake City, we're pleased to share William Shunn's reading from our January 1st episode. His personal essay "The Fanatic on the Street" took us on an intimate tour through the secrets of the flagship Mormon temple, and it sounded just a little like this...



And if you enjoyed that, please join us at 7:30 pm on Tuesday, May 7th, 2013, upstairs at Hopleaf, for an evening with Suzanne Clores, Mary Beth Hoerner, Robert McDonald, Dion Walton, and former co-host Sara Ross Witt. Don't miss it!


Crossposted from Tuesday Funk

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